The best thing about a hand-made pattern
is the flaw.
Sooner or later in a hand-loomed rug,
among the squares and flattened triangles,
a little red nub might soar above a blue field,
or a purple cross might sneak in between
the neat ochre teeth of the border.
The flaw we live by, the wrong color floss,
now wreathes among the uniform strands
and, because it does not match,
makes a red bird fly,
turning blue field into sky.
It is almost, after long silence, a word
spoken aloud, a hand saying through the flaw,
I’m alive, discovered by your eye.
The Flaw is from The Second Blush (W.W. Norton and Co., June 2008).