Lee Herrick


The blues is what mothers do not tell their sons,
in church or otherwise, how their bodies forgave
them when their spirits gave in, how you salvage love
by praying for something acoustic, something clean
and simple like the ideal room, one with a shelf
with your three favorite books and a photo
from your childhood, the one of you with the
big grin before you knew about the blues.
I wonder what songs my birth mother sang in
the five months she fed me before she left me
on the steps of a church in South Korea.
I wonder if they sounded like Sarah Chang’s
quivering bow, that deep chant of a mother
saying goodbye to her son. Who can really say?
Sometimes all we have is the blues. The blues means
finding a song in the abandonment, one
you can sing in the middle of the night when
you remember that your Korean name, Kwang Soo
Lee, means bright light, something that can illuminate
or shine, like tears, little drops of liquefied God,
glistening down your brown face. I wonder
what songs my birth mother sings and if she sings
them for me, what stories her body might tell.
I have come to believe that the blues is the body’s
salvation, a chorus of scars to remind you
that you are here, not where you feared you would be,
but here, flawed, angelic, and full of light.
I believe that the blues is the spirit’s wreckage,
examined and damaged but whole again, more full
and prepared than it’s ever been, quiet and still,
just as it was always meant to be.

Lee Herrick
Salvation is from This Many Miles from Desire (WordTech Editions, 2007).