Sebastian Matthews

Undressing the Muse

When Sonny Rollins walked onto that bridge
to play his saxophone to the wind
he was stepping off the stage
and into the woodshed.
It wasn’t a failure of nerve, of course,
nor was it only a deepening
of his craft. He was breaking
a voice apart
and refashioning it.
He was undressing his muse.

 

That’s what I want now:
less stage, more bridge
(the wind steady and relentless)
and room to go about
the private business of becoming—
nothing more, not a single iota less—
who I am meant to be.

 

And if that’s asking
too much, then allow me to rest
a moment, and when I wake
let me be refreshed.

 

 


“Undressing the Muse” was first published in POOL.